I
always think of my art as contrasts. Contrasts of colors, contrasts
of visuals, c
ontrasts
of themes. It is one of the things I like most about my
work.
However, at one point in my career, I stopped and asked
myself, "What is the consistency in my work?" I couldn’t see
any. I would paint this, then I would paint that…whimsical
cats one day, Pissaro influenced pastorals the next then
back to abstracts, oh, then on to untied tennis shoes. They
seemed to have no connection; they were just things that I
wanted to paint.
Things that were fun to paint.